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Kavita Krishnamurthy: A Harmonic Odyssey Across Musical Frontiers


Kavita Krishnamurthy, also recognised as Kavita Subramaniam, shines as a radiant luminary in the realms of Indian playback and classical music, showcasing unparalleled versatility through her renditions in over twenty languages. From Hindi and Bengali to Kannada, Rajasthani, Bhojpuri, and beyond, Kavita’s musical prowess knows no bounds.

Early Harmonic Journey

Born in New Delhi to a Tamil Iyer family, Kavita’s musical expedition began under the guidance of her aunt, Protima Bhattacharya, who introduced her to Rabindra Sangeet. Formal training in Hindustani classical music followed with the renowned Balram Puri, laying the foundation for her exceptional career. By the age of eight, she had already earned a gold medal at a music competition, foreshadowing the illustrious path ahead.

Mumbai Melody Prelude

Kavita Krishnamurthy’s foray into playback singing took a pivotal turn during her college days at St. Xavier College, Mumbai. An introduction to Lata Mangeshkar through music composer Hemant Kumar paved her way into the Hindi film industry. Recognised by the legendary singer Manna Dey during a live performance, Kavita found herself singing advertisement jingles and stepping into the world of playback singing.

Her meeting with Jaya Chakravarthy, Hema Malini’s mother, further fueled her journey, introducing her to music director Laxmikant. This encounter marked the beginning of a musical journey that would redefine her career.

Harmony of Triumph

Kavita Krishnamurthy’s playback singing career soared with hits like “Tumse Milkar Na Jaane Kyon” from “Pyaar Jhukta Nahin” (1985) and “Hawa Hawaii” and “Karte Hain Hum Pyaar Mr. India Se” from “Mr. India” (1986). These songs, composed by Laxmikant-Pyarelal, established her as a leading female playback singer.

The 1990s solidified Kavita’s position, with exceptional performances in films like “1942: A Love Story,” “Yaraana,” “Agni Sakshi,” “Bhairavi,” and “Khamoshi.” Collaborating with music directors, including A. R. Rahman, she garnered acclaim and recognition.

Global Rhythms

Venturing into fusion music, Kavita became a global sensation, captivating audiences at prestigious venues like the Royal Albert Hall, The Kennedy Center, and Madison Square Garden. Her collaborations with Western artists and solo performances with orchestras showcased the universal appeal of her soulful voice.

Harmonising Beyond Bollywood

While renowned for her playback singing, Kavita Krishnamurthy’s repertoire extends to solo performances with orchestras and collaborations with Western artists in jazz, pop, and classical genres. Her exploration of pop and devotional music is reflected in albums like “Shiv Baba ko Yaad Kar” and “Venkatesha Suprabhatam,” highlighting her command over diverse musical styles.

There is no specific information available on Kavita’s net worth, but estimates range between $1-5 Million.

Awards and Recognitions

Kavita Krishnamurthy’s contributions to Indian music have earned her accolades, including four Filmfare Best Female Playback Singer Awards and the prestigious Padma Shri in 2005. Her journey has been recognised with awards such as Star Screen Awards, IIFA Awards, GIMA Awards, the Muhammad Rafi Award (2021), and the ‘Phenomenal That’s Me’ award for her contribution to the Kannada film industry (2014).

Personal Symphony

In 1999, Kavita Krishnamurthy harmonised her life with renowned violinist L. Subramaniam, establishing the Subramaniam Academy of Performing Arts in Bengaluru in 2007. Her personal and professional life intertwines seamlessly, with her husband and four children excelling in their chosen paths.


Kavita Krishnamurthy’s melodious journey transcends linguistic and cultural boundaries, a testament to her commitment to musical excellence. Her ability to navigate classical, playback, fusion, and devotional genres cements her as a stalwart in Indian music. As her voice resonates globally, Kavita Krishnamurthy remains a melody in the hearts of music lovers, a living testament to the transcendent power of music.



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